top of page


HD Video Still, 2018

Produced to be exhibited at the 1st Bangkok Art Biennale (2018). This work is supported and sponsored by Standard Archives  for its production



Print, HD Video, 2018
Edition of 4+3 AP

Covered in red opaque dye, Vatanajyankur uses her body as a squeegees within a process of printmaking, forcing and pressing her body against the screen inside the printing block.

CHAT 2020 Unconstrained Textiles_Photo c

Print (2018) at CHAT (Centre for Heritage Arts and Textiles) in Hong Kong during the Spring/Summer exhibition titled 'Unconstrained Textiles: Stitching Methods, Crossing Ideas'


Plunging viewers into a dreamlike world of candy-bright hues and mind-bending physical performance, Kawita Vatanajyankur explores the binaries of Western culture, juxtaposed against the mechanised versus traditional body.


By accessing elements of Thai femininity, she invokes a powerful sense of physicality, uncovering a world of often-invisible domestic labour by painfully testing the limits of her own body. Her dynamic video art is a springboard to explore the value and understanding of the performative body, and the role of gesture within that very performance. 

Vatanajyankur’s work is caught in this moment of stasis—time-consuming and physically exhausting.  The tonality of happy day-glow colours juxtaposed against dark humour and undercurrents of violence brings violent gravity to her work—drawing attention to mechanisation, and highlighting the historical trajectory of feminist art.

Performing Textiles is a 2018 body of work, capturing the physical manifestation of manual labour processes undertaken by women in Thailand. Often-invisible, this exploration of domesticity is particularly telling of Vatanajyankur's homeland, where daily chores aren’t always assisted by electronics or white goods and are often tasked to women. Her suite of videos offers a vignette into the physicality and vulnerability of the feminine body.


As a collection, Performing Textiles provokes questions surrounding the place of cultural identity, feminism, labour, consumption and lived experiences—classified through a lens of hyper-coloured realism and the intensity of physical versus material composition.

bottom of page